In a not entirely original move on
Welles’ behalf* – though the American
audience didn’t know this – the first two-thirds of the 60-minute broadcast were presented
as a series of simulated news bulletins which encouraged large portions of its
listeners to actually believe a martian invasion was taking place**.
Using news formats to present drama was derided by
newspapers and public figures as deception, and stirred up a right old hornet’s
nest in the American media. How much geniune panic it actually caused is
debatable and somewhat immeasurable – some newspaper reporting people fleeing
their homes, smelling gas attacks and seeing lightning attacks in the distance.
It did however, certainly succeed in launching Orson Welles to fame.
* Fr. Ronald Knox's satirical "newscast" of a riot
overtaking London over the British Broadcasting Company in 1926 had a similar
approach (and created much the same effect on its audience).
** Welles introduction to the play actually notes it is set
in 1939, a year ahead of its broadcast time. However, because many people tuned
in part of the way through and were duped by the newscast presentation, they
believed events were being covered live. Martians were ininnerating crowds with
heat-rays and reporters were being cut-off dramatically mid-sentence, regular
programming breaking down as the studio struggles to keep up with casualties
and incidents.
The fifty-five-and-a-half minute play had no commercial
breaks and its prolonged versimilitude has been cited as a key factor in the
confusion that followed.
H. G. Wells' novel is about an alien invasion of Earth, set
in Woking, England at the end of the 19th century.


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